Appendix IV: List of Musical Examples from Pages 3 and 4 of the Superposiciones

Page 3:

Example 1: "Ritual Fire Dance" from El Amor.Brujo, mm. 21 - 26.

Example 2: "Ritual Fire Dance" from El Amor Brujo, no. 27, mm. 1 - 3.

Example 2 (bis): "Ritual Fire Dance" from El Amor Brujo, no. 26, mm. 9 - 11.

Example 3: "Minuit" (Les Sortilèges) El Amor Brujo, mm. 1 - 2.

Example 4: "El Círculo Mágico" El Amor Brujo, no. 23, mm. 1 - 2.

Example 4 (bis): "Danse de Meunier" (Farucca) El Sombrero do Tres Picos no.9 mm. 9 - 10.

Example 5: Danza del juego de amor" El Amor Brujo, no. 55, mm. 3 - 8.

Example 6: Finale "Las Campanas del Amanecer" El Amor Brujo, no. 64, m. 1.

Example 7: "Atardecer" El Sombrero de Tres Piros m.15 before no.l.

Example 8: " Por la noche canta el cuco" Tres Picos no. 19 mm. 3 - 7.

Example 9: Fantasia Bética m. 29.

Example 10: El Retablo de Maese Pedro, Cuadro 11 (Melisendra) m. 30; song from Felipe Pedrell's Cancionero, vol. 1, pp. 22,23,25.

Example 11: El Retablo de Maese Pedro, Cuadro III (El Suplico del Moro, 41) no.32, m.1 and Finale, no.96, m.4.

Example 12: El Retablo cuadro III no.41, mm.4-9.

Page 4

Sketches mostly from the Siete Canciones Populares Españolas and El Retablo de Maese Pedro including superpositions, references to pages in Cancioneros, and examples of de Falla's musical shorthand.

Example 1: El Retablo. Cuadro IV (La Fuga) no.75, ms. 1 - 4.

Example 2: "El Paño Moruno from Siete Canciones Popalares Españolas, mm. 1 - 4.

Example 3: lbid, ms, 58 - 60, taken from Pedrell's Cancionero, 1, p. 384.

Example 4: "Jota" f rom Siete Canciones from Pedrell's Cancionero, 1, p. 15 (22) with various sketches f rom the beginning of the song given.

Example 5: Continuation of sketches of Example 4 with melody broken down into two parts, "A" and B."

Example 6: "Asturiana" from Siete Canciones (de Falla writes "last page" maybe referring to the source,) ms. 10 - 12.